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Dirty Texans and the Problem With Just Sticking a Beat Under Something.

Dirty Texans sit somewhere between a house set and a bluegrass record. Built by brothers Johnny and Danny Kongos, the project takes old-time music, country and electronic production and pulls them into the same room without turning any of it into a novelty.

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For Lou CharLe$, “Pay Me” Is About More Than Money.

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FRONT & CENTER

Dirty Texans and the Problem With Just Sticking a Beat Under Something.

Dirty Texans sit somewhere between a house set and a bluegrass record. Built by brothers Johnny and Danny Kongos, the project takes old-time music, country and electronic production and pulls them into the same room without turning any of it into a novelty.

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Gurriers Bring the Pressure / The Cambridge Room at House of Blues Dallas / 9.11.26

she’s green plan to cover dallas in “moss music”/ CLUB DADA / 10.18.26

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ACROSS TOWN: THIS WEEK

PawPaw Rod, Nora En Pure and Darth Vato

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12 new(ish) songs and artists you should be paying attention to right now

DALLAS FAMOUS

DALLAS FAMOUS PODCAST: ANDREW SHERMAN WITH LESLIE AUSTIN

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FOLLOW US HERE

INTERVIEWS

For Lou CharLe$, “Pay Me” Is About More Than Money.

There isn’t much ambiguity in a song called “Pay Me.” The track takes aim at an industry that increasingly asks artists to produce more, promote more and feed more platforms while somehow treating the work itself as worth less.

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For a band that spent years learning how to play together before properly figuring out how to be a live band, that feels like a fairly big marker in the road.

IN_CASE_YOU_MISSED_IT_LCDSOUNDSYSTEM

INTERVIEW

Rishi Dhir on Grief, Hope and the Future of Elephant Stone.

For more than twenty years, Elephant Stone have existed in a space that is easy to describe quickly and much harder to explain properly.

INTERVIEWS_ELEPHANTSTONE

RADAR

MAKE TIME FOR POWERPLANT, THE BRAYMORES & LEONCE.

From the shape-shifting punk and metal of Powerplant to the melodic Chicago guitar pop of The Braymores and the restless club music of Leonce. Three very different artists, all working outside easy categories, and all with new reasons to pay attention right now.

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